- Published:May 10th, 2010
- Comments:No Comment
- Category:Blog Comments, Comics, Movies
Todd Alcott is a screenwriter, playwright and monologist who has been writing incisive film analyses online for a few years (Examples: his exhaustive film-by-film look at the work of the Coen Brothers or Venture Bros. episode breakdowns, to name but two of many). He approaches everything from the basic question, “What does the protagonist want?” which also is the subtitle of his recently-launched site. In the process, he’ll go through a film, finding things you had no idea were there, but once they’re pointed out, you can’t not see them.
Okay, there’s your background. Now- Heidi MacDonald, proprietor of comics web-log The Beat, asked Mr. Alcott if he’d apply his methods to comic book-based films from time to time. First one? Batman: The Movie, the 1966 film starring Adam West, based upon the television series. The piece is typical Alcott, which is a good thing, looking at the film from a story standpoint, pointing out what works and what doesn’t, what makes sense and what is ridiculous. But also, it’s a bit of a joke to devote an ostensibly serious analysis such a goofy, fun film like this, which is sort of the point. Some folks got it, but this being the comics internet and all, many nerds bristle at even the vaguest hint of not taking a film starring Caesar Romero as a clown villain with white grease paint over a mustache and a character named “Commodore Schmidlapp” with the utmost respect.
Do you seriously not understand how camp humor works? Or have never in your life seen The Batman TV show from the 60s? You are a complete idiot and I don’t understand why The Beat asked you to do a guest post when you employ the blandest analytical style possible and completely miss the point of what you’re looking at.
Although I wouldn’t level the charge of “idiot” as vlucca does,I would say “misguided” or “sloppy.” I’d have to agree with vlucca’s assessment that the writer is missing the point of the film, and by extension, the series…You cannot use a one size fits all critical method in which you treat “Batman: The Movie” as the same sort of text as “The Dark Knight.” In fact, most of this “analysis” practices the dreadful art of “reviewing.”
Anybody with half of the brain power of the 60s Bruce Wayne could have cobbled together such random obvious remarks about this movie, which doesn’t go into any detail at all about the 40s Batman movie serials which had clearly informed the camp humor on display here.
If you really want to analyze this film, try looking at it in the context of Hollywood in the mid-1960s, where the influence of French New Wave film making was changing the way movies were made. Look at it as a transgressive narrative, much the way Bonnie and Clyde was a transgressive narrative, in that it subverted public perception as to what a superhero movie “should” be. Argue the influence of Andy Warhol and the Pop Art movement on the look and style of the film, or look at it as pure political satire, in a day and age when authority was being held up to question and ridicule. All of these provide fertile ground for analysis. Simply recapping the film’s plot and making snide comments contributes nothing, and makes you appear as shallow and uneducated.
I have to think that this is the first time that the 1966 Batman has been associated with the French New Wave. If not, I have a hat nearby and some salt with which to eat it.
…a piece of film criticism needs to stand on it’s own– you need not read the backlog of writings by Anthony Lane, Pauline Kael or Jonathon Rosenbaum in order to “get” the critic. Film criticism is not like reading the collected works of a fiction writer– it needs to communicate directly to its audience a well-crafted set of rationalized positions regarding that film. Regardless of whether Mr. Alcott’s previous writings are “first-rate,” this, alas, is not. Additionally, this piece of writing qualifies as snarky, rather than campy. Camp is far more enjoyable.
And lord knows that, if there is one thing there is absolutely no room for in that part of the internet inhabited by comics nerds, it is “snark.” Also- this is a personal thing- can we please stop it with that word? Just for old Uncle RJ? I get the palpitations.
I’d fail my Junior and Senior level film students if they tried to hand this type of crap in as “analysis.”
Perhaps Mr. Alcott would be better served by calling his material “commentary.” The bar is set much lower in that regard.
Having read this “analysis,” it is easier to understand why so few interesting films ever get made any more. Has our modern understanding of the superhero become so cramped and reified that an intentional comedy has to delve into the murder of the protagonist’s parents to be enjoyable?
Hear! Hear! Batman has never been about some little kid who witnesses the violent murder of his parents, thus setting him on the path to actually become Batman.
The odd thing about all of this is the very obvious stretching some of these folks make to sound very intellectual and oh so serious while denouncing a dry tongue-in-cheek analysis of a goofy interpretation of a story about a fellow who dresses as a bat and punches crooks.

In today’s Philadelphia Daily News (The People Paper!), columnist Stu “Byko” Bykofsky takes partial credit for a recent initiative by Mayor Michael Nutter to reward straight-A perfect attendance students with seats in the mayor’s box for this season’s Phillies games.

